illustration of music background in doodle style

Before you get into making a trap beat the first thing that you must know is the most important elements of trap beats that give them that hardcore, gangsta feel. You can start from a simple foundation of a few key elements when you start making these types of beats. Here are some elements that are very necessary in making trap beats and ultimately trying to get artists to shop for trap beats.

THE 808’s – First and foremost the key active ingredient that popular trap beats are known for is 808 tones. 808 Kicks, Hi Hats, Toms, and Snares. These kind of 808 sounds are the main sounds that give these surpasses that distinctive trap beat feel. Typically the 808 kicks are made to provide a good low frequency punch to emphasize the very sub bass tails that almost every trap beat has got. In the industry today, 808 toms are the most popular to use just for drum fills. These toms are usually used just prior to the ending of the 4th bar to emphasize the transition or prior to ending of the 8th bar. It really depends on the feel and then the character of the beat and is really up to you. The andrew fills are mainly used to give the beat a nice, fluent adaptation into a different part of the beat. Hot selling trap sounds almost all the time have a 808 snare drum sound. This may be a very crucial element of trap beats. Majority of the time, at the time it is laid on the track, it is then boosted using a basic “EQ”(Equalizer) that boosts the bandwidth, frequency on an standard of about 200 hz and adjust the high-frequency forward somewhere between the 50 hz -120 hz range, based on mainly on the bass and the direction you are trying to meet it. When in doubt listen on different systems, situations, and volumes(Ex. Monitors, Headphones, Corner Of Your Room, In the vicinity of and Far From Speakers, High, Mid, and Low Volumes). Your ears are and should be your most valued product. Usually you can find these 808 sounds on the company webpage of the Digital Audio Workstation that you use.

DRIP BENEFITS – Another popular sound that is used a lot in old trap beats are drip-like drop effects. Usually sounding almost identical to a continuous water drop that starts at a high pitch decor the progression goes on it descends to a low try to sell. These sounds, in most cases, are sampled sounds or a self-programmed synthesized effect that emulates a drop effect(very challenging do if you are not already familiar with oscillators, wave sounds, screens, etc). This effect is most commonly used in intros, disruption points, prior to a breakdown, etc .

CHANTS – These are a truly commonly used, mainly in that “Crunk” type of free trap beats instrumentals download. But in the today, producers are using chants more in trap and even dirty south type beats. Most of the time chants are free templates and usually go something like “Hey… Hey… Hey… Hey”. Most of these consistent chants sound best when they are hitting on the following and 4th beat of a 4 bar measure. Ordinarily on the hook, to add extra feel to it so the land has a more powerful impact and impression on the listener. Just as before, depending on the flow and direction of the beat, placements these chants may vary.

LEADS, SYNTHS, BASSES, ETC – These elements are key to getting a hard hitting trap beat. The part gives the beat its character and personality it is mainly part that makes the beat memorable. Its preferred to have a synth lead pattern consisting of a simple 4 bar council melody that switches between high or low octaves after every 4 bars. It is ideal to use this technique for those hook. But in some cases producers do use it on sentiments, depending on the complexity and progression of the melody. It is very popular to help leave out the lead melody on the verses and make the raw drum and bass lines while yet utilizing the other elements. This technique mainly is used to bring from the vocals and give the vocalist most presence on the overcom. By far, this part is the funnest part of making those trap beats because these synths and basses just a number of circumstances beat that extra flame.
Ultimately at the end of the day, if you want to add more other elements, by all means do it. The most important thing here is to have fun to open up the opportunity to grasp your own unique sound. However , this is a different story if you have your trap beats offered online. Artists, now days, tend to like beats that good similar to the songs they hear on the radio. Anyways, this may be a whole different subject on its own and is for a totally different guide. This information shared here is strictly to help people get an idea of inclement weather of a trap beat and what types of sounds to use that will effectively make one. Keep in mind that there is no law here the fact that says you have to follow these steps or instructions. Tell them, feel free to do your own thing.

On the flip side, the most important thing you must quickly learn how to do is to trust what you hear. Your ears do lie. Sometimes beats will start off one way and finish up going in totally different direction. In some cases this is a good sign that your standard of creativity is increasing.

Now the last thing I want to leave you through. A cool technique you may use to help keep your trap defeats up to par, as far as fluidity and consistency. Its called the “TRIPLE F’s”. Which stands for “Flow”, “Finesse”, and “Fix”.

CIRCULATE – First really listen and get the feel for the guidance and flow of the beat. Then ask the things “how is the flow of the instruments or instrumentation? melodies? chord progression? “

FINESSE – Then playback songs, leads, drum beats, bass lines, and see if the finesse of them elements are exposed to its fullest potential. This step usually is going to point out notes, chords, instruments, effects that will need to be re-touched and adjusted.

FIX – Last step and finalized step here is to go back and fix the things that need to be resolved in order for the beat to have consistent flow and individuality.
P. S – It is very crucial to always be experimenting regarding different melodies, sounds, effects, etc while creating and also mixing your beat. If you think it doesn’t sound good, switch it up and experiment with it. You must remember that music is assets and you can literally do anything you wish with it.